The game is available in French and English. This Whited path leads to fetishes such as: domination, female submission, cheating, masculinization, feminization/sissyfication (for your rivals), cruelty, BWC. The Blacked path leads to fetishes such as: submission, female domination, cuckold, slow feminization/sissyfication (for you), BBC. My main sources of inspiration are: The Company, A New Dawn and Succubus Dream.
It's a game about corruption, domination and submission, with an overlay of raceplay to spice it up. Overtake your rivals, or accept to be damned. And behind the varnish of civilization is hidden a beast. Which path are you going to take? Your decisions can make you the undisputed alpha, or on the contrary lead you to unknown depths.
#BLACKED AND WHITED F95 SERIES#
And though George Lucas’s various manglings of his original sextet is the best known series of rereleases, thanks to Star Wars’ let’s be polite and go with “dedicated” fanbase, Blade Runner, at barely an eighth of the length of the Star Wars saga, has been through seven different cuts since 1982, almost all of which were shown in cinemas.You play a young man in search of identity in a world where competition is fierce, very fierce. Even without any serious edits, Star Wars was theatrically rereleased in 1978, 1979, 19.
#BLACKED AND WHITED F95 MOVIE#
And so, again, you're just incentivising people to get back into cinema to buy another movie ticket.”Ĭult popularity means a film can guarantee attendees at screenings and the more die-hard the fans, the more times a film might be reintroduced to cinemas.
People might go on opening night and they might go again with their friends or family. After all, it’s not like filmgoers think, “I couldn’t be bothered to see Spider-Man for £15, but now that it’s an extra four minutes long, boy, am I getting my money’s worth!” Instead, says Grater, “Part of the reason these films get such enormous box office totals is that they are repeat-watched. The ‘Sexy Na’vi Edition’ of Avatar did bring in an extra $30 million or so at the box officeĪvatar and the Marvel franchise’s successes with rereleases highlight another aspect of what makes for a successful second theatrical run: in short, a dedicated cult audience with a proven appetite for seeing films more than once. ” Spider-Man: Far From Home, which takes place in the same cinematic universe as Endgame, came out on the same day as the Endgame rerelease began and it, too, had a two-month added-footage extension, this time with the excuse of a tiny four minutes of added footage, but really, uh, because Tom Holland is endlessly marketable. justify it being on the cinema screen, they needed to do something. “Disney were absolutely determined to get that box office record,” says Grater, “and they let they let that film run in cinemas longer than would be normal because they needed it to tick over. In 2019, Avengers: Endgame was rereleased barely two months after its premiere, with six added minutes of footage, all to try to break the all-time box-office record then held by Avatar (which it duly did). But, says Grater, changing the actual content of a film by including new or amended footage, rather than merely changing its colour or aesthetic, is still a great way to justify squeezing extra ticket sales out of super fans. The advent of television and then, later, VHS releases, DVDs and online streaming meant that this tactic became less feasible, as audiences had other means through which they could revisit old films at will. “If you were being cynical,” says Grater, “you could say that a black and white version of a movie is a pretty easy way to lend it the veneer of artistic credibility.” Bong Joon-ho, Parasite’s director, confirmed the appeal in January, telling the International Film Festival in Rotterdam: “I think it may be vanity on my part, but when I think of the classics, they're all in black and white. So I had this idea that if I turned my films into black and white then they'd become classics.” Schindler’s List, Roma, Ida and The Artist all won multiple Oscars. What is clear is that’s a damn cool gimmick.) We associate black and white, rightly or wrongly, with artistic quality and integrity – we think of monochrome movies as “thinking” films rather than straight blockbusters. (Park Chan-wook’s ultra-violent 2005 thriller Lady Vengeance had a special DVD version that gradually leeched colour over the course of the film, beginning as normal but fading to total black and white by the end, though it’s unclear whether this came out widely in cinemas either. Even then, it’s worth noting that Mad Mad: Fury Road – Black & Chrome didn’t make it to cinemas and was only issued on the DVD release and video-on-demand platforms.
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